“The photographs become touchstones for her final painted forms, points of reference that allow her to layer images, add more elements, shade or amplify certain effects that appeal to her as the work progresses.” — the late Sam Hunter, Professor Emeritus of Art History at Princeton University and art critic
“The drawing relies on the photograph for its information, but the photograph does not need the drawing and stands on its own merit. This extraordinary archive has paralleled the drawings for the history of the work; they are complex and visually unique. — Ingrid Fox, Curator Pfizer Inc. (retired)